Tuesday, 1 March 2016

Viacom18 launches Hindi Movie Channel Rishtey Cineplex


Commenting on the launch, Sudhanshu Vats, Group CEO – Viacom18 said, “With the launch of Rishtey Cineplex, we are entering the large Hindi movie genre thereby filing a pivotal whitespace and offering a holistic Hindi entertainment ecosystem from our stable. At Viacom18 we are committed to continuously strengthening our portfolio across genres, languages and age groups. Rishtey Cineplex is a key milestone in that journey.”
The channels’ launch further paves the way for new film acquisitions to offer quality film-based entertainment and big television premieres to viewers.
“The movie channel will bolster the networks’ reach across India and help us dial-up our engagement levels with our viewers. Rishtey Cineplex will also enable us to offer 360-degree value to our advertisers creating more opportunities for on-air promotions enabling optimization of ad inventory across the network”, added Vats.
Rishtey Cineplex marks the extension of Viacom18’s portfolio which already operates successful Hindi general entertainment channels along with English and other regional channels,
Speaking on the launc, Raj Nayak, CEO, Colors & Rishtey said, “We have scripted a great success story for brand COLORS with it being extended into regional languages and English entertainment. Each of these channels has helped us cater to an intrinsic viewer demand. We are now all set to give impetus to brand Rishtey with the launch of our exclusive Hindi movies channel Rishtey Cineplex that will help us fortify our Hindi entertainment portfolio. With the best in films and entertainment lined up, we are confident that we will be able to strengthen audience affinity with Rishtey Cineplex”.

Best TV Deal expands its reach through Tata Sky


Speaking about this association, Raj Kundra- Managing Director & CEO, Best Deal TV said, “We are thrilled about the launch of our channel on India’s leading DTH platform- Tata Sky as this will help us in increasing our reach to an additional 13 million households. We look forward to reaching out to a larger target audience and fulfilling their needs by providing the best quality products at competitive pricing and looking forward to a positive milestone in terms of growth. ”
Best Deal TV has taken this step to expand their reach from the existing 60 million households to an additional 13 million households who currently subscribe to Tata Sky across Metros, Tier 2 and Tier 3 cities in India.
Sharing her thoughts, Shilpa Shetty Kundra, Chairperson- Best Deal TV said “We have been able to successfully retain our position as the preferred celebrity driven home shopping network thanks to the efforts of our hardworking teams which has reflected by the rate of our growing popularity and expansive reach across metros and Tier 2 cities in India.”Best Deal TV, Raj Kundra, Shilpa Shetty Kundra

[Interview] Da Vinci Media is working on its OTT Play to expand its reach: Mohit Anand


The idea behind the launch of this channel is to bring curious minds of all ages together for learning in an entertaining manner. Da Vinci Learning is for the entire family and will offer knowledge, science and documentaries-based programmes for the Indian audience. The channel also aims to offer safe and quality-based entertainment for the entire family.
IndiaMediaBook gets in conversation with Mohit Anand, Managing Director Da Vinci Media India, to understand its strategies for Indian market.
What are some of the emerging trends that you foresee in Indian media industry?
Today technology is forcing the players of media and entertainment industry to look at alternative business models and delivery platforms. It’s the era of multiple screens, and delivering content to these multiple screens is unique and an exciting challenge, which the industry is currently facing.
There was a time, when TV screen was the only screen. But today, TV screen is definitely one screen, but not the only screen. There are screens of mobile, tablets, computers, Laptops, where people are consuming the content, or we can say its a delivery platform. TV screen is not going anywhere; the delivery to that TV screen may change from tradition medium to the modern Set-Top Box technology.
There was a time when we had Doordarshan via antenna on top of our houses and that changed in 90s and the decades of 2000, when cable TV entered and after that digitalisation is changing the whole experience of watching TV. Today OTT players are coming in the market. Thus, TV screens are not going anywhere; they will remain important at the centre of the consumer consumption of content.
That doesn’t mean that you can ignore the other screens. Other screens are equally important. So, for us seamlessly being able to deliver the content to our viewer across the screen of their choice, whether they are at home or on the move is what we are focused on.
 Davinci2What are the key challenges that Da Vinci is facing in the Indian market?
We have just launched 8 weeks ago, thus it is too early to say about what are the key challenges. It’s the beginning of a very exciting journey for us and India is a diverse, unique and a very large marketplace. We have long term plans for Indian market with our unique product which is perhaps unbridled in the market.
We combine knowledge programming in a fun and interactive manner for young children. Today if you look at some successful big brands in this space, their content such as surviving in the wild, sharks, wild life, great buildings etc. is more for adults. A six year old child can’t consume such content.
However, there is no such content available which is created and present in such a manner, that 6-12 year old children can understand it and have fun with it. We oscillate between the pure educational extension of a classroom in content which is relevant to the curriculum and on the other end of the spectrum, just goes to complete entertainment fun content which has no knowledge or learning value in it. Thus, that’s the gap Da Vinci is aiming to fulfil.
India is the land of many languages; it’s an advantage or a barrier? Do you have plans to produce content in different languages?
I think it’s both and Da Vinci looks at it from a different perspective. If you see Kids today, irrespective of the language they speak at home, be its Tamil, Marathi, Gujarati or any of the regional languages. When they go to school, they don’t study topics of Mathematics and Science in vernaculars.
Yes, there are topics such as languages, art or where there is a definite advantage in local medium, but in topics such as solar system, Mars will remain Mars, whatever the language is.
We feel that, for our current audience and the topics which we cover, a large part of that communication medium is English, Therefore, currently Da Vinci is available in English, but we are absolutely open to localizing the languages dependent on consumer need and desire.
Current we have channels in 17 languages across the globe, including the language Macedonia. If we can do a language version of Macedonia, whose total population is just few millions; we sure can do a language version for Indian market.
There are definite advantages in certain topics, where you might want to use vernaculars but at the same time there are certain topics that need to be in English, because that’s the medium of learning.
How difficult it is to conceptualise any program for Kids genre? What content strategies you are opting for Indian market?
Da Vinci is a very young company. It’s just an 8 years old brand globally and the entire DNA of the people who run Da Vinci across the world and senior managements are focused on the gaps which I have mentioned above.
Today 6-12 years children are curious and they want to understand, why things happen around them in a particular way. We as parents, relatives and guardian have may be studied all these in schools, but forgotten about these.
Secondly with the increase in stressed lifestyle that families lead in major cities, where parents perhaps feel guilty about not been able to spend enough quality time with their children, defaulting to the fact that they end up watching TV. Giving them that comfort that here is the content that is safe, fun, interactive and at the same time it hikes curiosity in a child. Da Vinci is serving across 130 countries across the globe and around 20 million subscribers around the world.
Davinci1The leading broadcasters are also offering the edutainment. What are your plans to deal with the tough competition?
We have a unique positioning. I don’t see like products that exist in the marketplace which compares to Da Vinci Learning.
Today, there are lots of channels in kids’ genre offering fun and entertaining content, but even though its targeting the kids, the context is quite adult. There is lack of education fun content for kids; however, there are many infotainment channels that have great programming related to general knowledge, but those are targeting only adults.  
What are your marketing strategies to take Da Vinci to its TG? Please share your digital mix.
Our objective is to reach out to the consumer and get our content to be viewed by a wide section of viewers. We also believe that, since we are an interactive product, we want to build a community of passionate endorsers.
So, a lot of our marketing is more dedicated on direct consumer context touch points. Whether we do via activation in schools during parents-teachers meeting day or we do it at a high consumer footfall location, or whether we interact with our consumer through social media platform or get in touch with consumers through our soon to be launched OTT play.
We are trying to have a direct consumer touch so that we can understand what our consumer feedback is
How has been your journey so far in India? Which is your biggest market?
It’s been an exciting journey but it’s just begun and like I said earlier that we are here for the long term and committed to the market. It is a very large and exciting but yet a challenging market. We are on that journey, where there is no end, as this journey will keep evolving. 
We are here for a long term and we want to make sure that our content is consumed and sampled by as a wide section of viewers as possible. We are talking to parents, to analyse what kind of content kids are consuming these days on TV/internet, so that we can offer much better clean safe, non-violent option and at the same time it’s fun, interactive and imparts learning to the child.
Raghav1Please share your views on association with Quintillion Media.
Di Vinci Learning India is co-owned by Da Vinci and The Quintillion Media. It already got a very strong partnership, where we have a very strong name of media industry who is backing up. So, we are thrilled with the partnership and it’s a perfect partnership and it added tremendous value to Da Vinci business in India.
How many users are consuming Da Vinci at the moment? What is your growth strategy for the Indian market? Are there any big plans for Da Vinci India?
Currently Da Vinci is reaching to 5 million households including non-tier I areas as well through Hathway and we are planning to expand its distribution reach. We are going to announce our distribution expansion to various leading operators.
Our strategy is to make this a sticky brand and we want to become the core standard, to speak from kids educational content on TV and on other non-linear platform and also to be the number one player in the kids edutainment space. We are working on our OTT play, through which we will able to deliver content on mobile screens and tablets etc.

BARC Week 6 Regional Mapping: Sun TV, Asianet, Big Magic Ganga leads the regional chart


Barcreg1Marathi
Bangla
With 247291 GVTs, Star Jalsha topped the chart once again. Zee Bangla remained at second spot with 138368 GVTs, followed by Jalsha Movies with 68287 GVTs. Colors Bangla climbed to fourth position with 33559 GVTs, while Zee Bangla Cinema slipped to fifth spot with 31840 GVTs.
Bhojpuri
Big Magic Ganga stood strong at the top spot with 14575 GVTs, followed by Bhojpuri Cinema and Dabangg with 10035 and 7932 GVTs respectively. Dangal TV remained at fourth position with 5381 GVTs and ETV Bihar Jharkhand stood at fifth spot with 3457 GVTs.
Oriya
Sarthak maintained its lead position in Oriya market with 109559 GVTs. Tarang TV remained at second spot with 55659 GVTs, followed by Colors Oriya and Odisha TV with 21579 and 20103 GVTs, respectively. Alankar TV stood at fifth position with 13218 GVTs.
Tamil
Sun TV stood strong at top spot with 962984 GVTs. KTV occupied second position with 251513 GVTs, followed by Star Vijay with 177737 GVTs. Zee Tamil climbed to fourth spot with 77246 GVTs, while Polimer slipped to fifth position with 73835 GVTs.
Telugu
With 422627 GVTs, ETV Telugu continued to lead, followed by Zee Telugu and Maa TV with 393703 and 338810 GVTs, respectively. Sister Channels Gemini TV and Gemini Movies remained at fourth and fifth spot with 268742 and 169771 GVTs, respectively.
Kannada
Colors Kannnada retained its top position with 254250 GVTs. Zee Kannada remained at second spot with 162335 GVTs. Udaya TV climbed to third spot with 155827 GVTs, followed by Udaya Movies with 148563 GVTs. Survana slipped to fifth position with 147644 GVTs.
Malayalam
Asianet topped the chart once again with 333827 GVTs, followed by Mazhavil Manorama with 103484 GVTs. Flowers TV stood strong at third position with 87906, followed by Asianet Movies and Surya TV with 70265 and 54623 GVTs, respectively.

Source: IndianMediaBook - Television

BARC Week 6 English Genre: ET Now claims the throne; Comedy Central returns to second spot

Entertainment channels
News channels
With 404 GVTs, Times Now maintained its lead. India Today TV remained at second spot with 234 GVTs, followed by NDTV 24×7 and CNN IBN with 164 and 154 GVTs, respectively. News9 returned to fifth position with 118 GVTs.
Business news
ET Now claimed the throne with 258 GVTs, while CNBC TV18 slipped to second position with 253 GVTs, followed by NDTV Profit and NDTV Prime with 59 GVTs. Bloomberg TV stood at fourth spot with 25 GVTs.
Movies
Movies Now topped the chart once again with 2542 GVTs. Star Movies remained at second position with 2310 GVTs, while HBO and Sony Pix climbed to third and fourth position with 1810 and 1517 GVTs, respectively. Zee Studio slipped to fifth spot with 1300 GVTs.

Source: IndianMediaBook - Television